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  2. Magdalene with Two Flames - Wikipedia

    en.wikipedia.org/wiki/Magdalene_with_Two_Flames

    Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour.In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.

  3. Magdalene with the Smoking Flame - Wikipedia

    en.wikipedia.org/wiki/Magdalene_with_the_Smoking...

    Magdalene with Two Flames (Metropolitan Museum of Art, New York) is an oil-on-canvas painting created between 1625 and 1650. The exact date is unknown. The skull is placed on Magdalene's lap with her hands clasped over the head.

  4. Rebelle (software) - Wikipedia

    en.wikipedia.org/wiki/Rebelle_(software)

    Rebelle desktop application was released for pre-purchase as a public beta in April 2015 for Windows and macOS and included notable features: watercolor simulation, painting tools (paint brush, wet brush, dry brush, smear brush, blend brush, tilt canvas), color palettes with custom colors and color picker, various paper textures, 23 layer ...

  5. Nero's Torches - Wikipedia

    en.wikipedia.org/wiki/Nero's_Torches

    Nero's Torches (Polish: Pochodnie Nerona) is an 1876 oil-on-canvas painting by the Polish artist Henryk Siemiradzki. ... or were doomed to the flames and burnt, to ...

  6. The Burning of the Houses of Lords and Commons - Wikipedia

    en.wikipedia.org/wiki/The_Burning_of_the_Houses...

    Philadelphia Museum of Art, 36.2 in (92 cm) x 48.5 in (123.1 cm) Cleveland Museum of Art, 92 cm (36.2 in) x 123 cm (48.4 in). The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834.

  7. Flaming June - Wikipedia

    en.wikipedia.org/wiki/Flaming_June

    Flaming June is a painting by Sir Frederic Leighton, produced in 1895. Painted with oil paints on a 47-by-47-inch (1,200 mm × 1,200 mm) square canvas, it depicts a sleeping woman in a sensuous version of his classicist Academic style. It is Leighton's most recognisable work, and is much reproduced in posters and other media.