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Late classical style is seen in early Christian frescos, such as those in the Catacombs of Rome, which include most examples of the earliest Christian art. [3] [4] [5] The Brescia Casket, 4th-century ivory. Early Christian art and architecture adapted Roman artistic motifs and gave new
Christian art was caught up in, but did not originate, the shift in style from the classical tradition inherited from Ancient Greek art to a less realist and otherworldly hieratic style, the start of gothic art.
In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. [1] The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
The use of Romanesque architecture to identify Jewish rather than Christian settings is a regular feature of the paintings of Jan van Eyck and his followers. [26] In Italian works the architecture of such temples became classical, reflecting the growing interest in the ancient world. [27]
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of tombs belonging, most likely, to wealthy [17] Christians in the catacombs of Rome, although from literary evidence there may well have been panel icons which, like almost all classical painting, have disappeared.