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Most Christian groups use or have used art to some extent, including early Christian art and architecture and Christian media. Images of Jesus and narrative scenes from the Life of Christ are the most common subjects, and scenes from the Old Testament play a part in the art of most denominations.
Jesus healing the bleeding woman, Roman catacombs, 300–350. Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525.
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
The most numerous surviving examples of Christian art from this period are paintings in the Catacombs of Rome. The Christians shunned cremation and preferred the practice of interment, to preserve their bodies for the Resurrection of the Dead , as Christ was resurrected from the dead.
The earliest surviving Christian art comes from the late 2nd to early 4th centuries on the walls of tombs belonging, most likely, to wealthy [17] Christians in the catacombs of Rome, although from literary evidence there may well have been panel icons which, like almost all classical painting, have disappeared.
By the Gothic period the selection of scenes was at its most standardized. Emile Mâle's famous study of 13th-century French cathedral art analyses many cycles, and discusses the lack of emphasis on the "public life [which] is dismissed in four scenes, the Baptism, the Marriage at Cana, the Temptation and the Transfiguration, which moreover it ...
Most Christian groups use or have used art to some extent, although some have had strong objections to some forms of religious image, and there have been major periods of iconoclasm within Christianity. Most Christian art is allusive, or built around themes familiar to the intended observer.
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.