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Gregg Wesley Toland (May 29, 1904 – September 28, 1948) was an American cinematographer known for his innovative use of techniques such as deep focus, examples of which can be found in his work on Orson Welles' Citizen Kane (1941), William Wyler's The Best Years of Our Lives (1946), and John Ford's The Grapes of Wrath, and The Long Voyage Home (both, 1940).
The most innovative technical aspect of Citizen Kane is the extended use of deep focus, [66] where the foreground, background and everything in between are all in sharp focus. Cinematographer Toland did this through his experimentation with lenses and lighting.
Citizen Kane is a 1941 American drama film directed by, produced by, and starring Orson Welles. Welles and Herman J. Mankiewicz wrote the screenplay. Citizen Kane is frequently cited as the greatest film ever made. [1] Citizen Kane was the only film made under Welles's original contract with RKO Pictures, which gave him complete creative control.
This category collects articles and media related to Citizen Kane, the 1941 American drama film produced by, co-written by, directed by and starring Orson Welles. Pages in category " Citizen Kane " The following 13 pages are in this category, out of 13 total.
Citizen Kane: A Filmmaker’s Journey describes Welles' rise to prominence, the creative control he received in his first Hollywood contract, studio infighting over the project at RKO Radio Pictures, the pressurized production schedule, the plot by the Hearst Corporation – critical of the similarity between real-life publisher William Randolph Hearst and the character of Charles Foster Kane ...
The assumption that the character of Susan Alexander Kane was based on Marion Davies was a major reason Hearst tried to destroy Citizen Kane. [34] Davies's nephew Charles Lederer insisted that Hearst and Davies never saw Citizen Kane, but condemned it based on the outrage expressed by trusted friends. Lederer believed that any implication that ...
"Raising Kane" is a 1971 book-length essay by American film critic Pauline Kael, in which she revived controversy over the authorship of the screenplay for the 1941 film Citizen Kane. Kael celebrated screenwriter Herman J. Mankiewicz , first-credited co-author of the screenplay, and questioned the contributions of Orson Welles , who co-wrote ...
File:Citizen Kane deep focus.jpg is too poor and low-res an image to actually convey the focus aspect of the shot, thus is doesn't seem an effective fair-use case. There's a lot of unsourced content throughout, both expressly tagged with {} and that which isn't. Among the major sections: