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A Night at Studio 54 is a double album that features 17 disco tracks popularized and played regularly at Studio 54; according to music critic Robert Christgau, the album includes all of disco's AM radio crossover successes "plus major floor hits." [9] Rubell described the album as "the equivalent of a night at Studio 54."
[443] [211] In 2020, it expanded into a music imprint including a record label, Studio 54 Music, [444] [445] [446] which works with Sirius XM on Studio 54 Radio. [447] The label's first release, Night Magic Vol. 1 , is a four-track compilation EP of disco anthems from the club's prime days, revised by musicians from both the original scene and ...
This song commemorates Studio 54 in New York City for its notoriously long customer waiting lines, exclusive clientele, and discourteous doormen. According to guitarist Nile Rodgers, the song was devised during New Year's Eve 1977, as a result of his and bassist Bernard Edwards' being refused entrance to Studio 54, where they had been invited by Grace Jones, due to her failure to notify the ...
It was created in a jam session in Edwards' apartment, after they had failed on New Year's Eve 1977 to meet with Grace Jones at New York's nightclub Studio 54. The original refrain "Aaa, fuck off", intended for the doormen of Studio 54, was replaced that night with "Aaa, freak out", after trying a version with "Aaa, freak off". [6]
Australian music channel Max included this version of "If You Could Read My Mind" in its list of the "1000 Greatest Songs of All Time" in 2012. [ 21 ] "Our favourite production during the '90s was the song "If You Could Read My Mind" by the group Stars on 54.
54 is a 1998 American drama film written and directed by Mark Christopher.Starring Ryan Phillippe, Salma Hayek, Neve Campbell, and Mike Myers, the film focuses on the rise and fall of Studio 54, a famous nightclub in New York City during the late 1970s and early 1980s.
The Last Days of Disco is a 1998 American comedy-drama film written and directed by Whit Stillman, and loosely based on his travels and experiences in various nightclubs in Manhattan, including Studio 54.
The website's consensus reads, "Studio 54 offers audiences an engrossing close-up look at an emblem of a decade's decadence – as well as its sobering aftermath." [1] The New York Times wrote, "The movie is a fast account that is sometimes a tad facile in its analysis of a cultural moment. But as Mr. Schrager's personal too-much-too-soon story ...