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  2. Interval recognition - Wikipedia

    en.wikipedia.org/wiki/Interval_recognition

    Interval recognition, the ability to name and reproduce musical intervals, is an important part of ear training, music transcription, musical intonation and sight-reading. Reference songs [ edit ]

  3. GNU Solfege - Wikipedia

    en.wikipedia.org/wiki/GNU_Solfege

    GNU Solfege is an ear training program written in Python intended to help musicians improve their skills and knowledge. It is free software and part of the GNU Project. GNU Solfege is available for Linux, [2] Windows, and OS X.

  4. Ear training - Wikipedia

    en.wikipedia.org/wiki/Ear_training

    In music, ear training is the study and practice in which musicians learn various aural skills to detect and identify pitches, intervals, melody, chords, rhythms, solfeges, and other basic elements of music, solely by hearing.

  5. Relative pitch - Wikipedia

    en.wikipedia.org/wiki/Relative_pitch

    Computer-aided ear training is becoming a popular tool for musicians and music students, and various software is available for improving relative pitch. [ citation needed ] Some music teachers teach their students relative pitch by having them associate each possible interval with the first two notes of a popular song.

  6. Category:Intervals (music) - Wikipedia

    en.wikipedia.org/wiki/Category:Intervals_(music)

    Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more

  7. Sight-reading - Wikipedia

    en.wikipedia.org/wiki/Sight-reading

    Ability to read, recognize, and remember groups of notes (directions, patterns, phrases, chords, rhythmic groupings, themes, inversions, intervals, etc.) Ability to read and remember ahead of playing with more and wider progressive fixations; Aural imagery (ear-playing and sight-singing improves sight-reading)

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  9. Augmented unison - Wikipedia

    en.wikipedia.org/wiki/Augmented_unison

    Historically, this interval, like the tritone, is described as being "mi contra fa", and therefore is the "diabolus in musica" (the Devil in music). [6] In 12-tone equal temperament , it is the enharmonic equivalent of a diatonic semitone or minor second , [ 1 ] although in other tunings the diatonic semitone is a different interval.