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Cartonería, the making of three-dimensional sculptures with papier-mâché, is part of Mexico's tradition of paper based handcrafts. [2] Paper was developed in the region during the Mesoamerican period using the bark of a type of fig tree called amate or the fibers of the maguey plant.
They have an international reputation for the creation of forms such as skeletons, skulls, Judas figures and fantastical creatures called alebrijes. [ 1 ] [ 2 ] While the family’s history in the craft can be traced back as far as the 18th century, it was the work of Pedro Linares , who invented the alebrijes, that made the family famous.
Angelico Jimenez, son of Manuel, in the family workshop. Jiménez Ramírez is credited with creating the Oaxacan version of “alebrijes.” [2] [4] The original craft was created and promoted by the Linares family in Mexico City, making fantastic creatures of “cartonería” (a hard paper mache) and painting them in bright colors. [2]
Since the 1990s, there have been efforts by the government to revitalize the craft. One of these was the Jugar a las Muñecas. De las Lupes a las Robóticas project managed by artist María Eugenia Chellet from 1991 to 2008. It worked to create innovation in the dolls, creating images from mass media, the circus, harlequins, and animal/human ...
How It's Made is a documentary television series that premiered on January 6, 2001, on the Discovery Channel in Canada and Science in the United States. The program is produced in the Canadian province of Quebec by Productions MAJ, Inc. and Productions MAJ 2.
Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
[1] [3] Its purpose is a homage to Mexican handcrafts and folk art, especially cartonería (a kind of very hard paper mache) in order to restore value to it in modern society. [ 4 ] [ 5 ] In the spring or early summer, the Museo de Art Popular puts out an open call for participants, inviting individual artists and artisans along with museums ...
He wanted his family and others to know about the animals he dreamt of by taking a piece of paper and molding the figures from his memory and then painting them as he saw them in his dream. [ 1 ] Pedro Linares gained national and international attention following the 1975 documentary Linares: Artesano de Cartón from Judith Bronowski.