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Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between. Grayscale images can be the result of measuring the intensity of light at each pixel ...
One can also artificially limit the range of color in a photo to those within a certain hue by using black-and-white film or paper, or by manipulating color images using computer software. Color images can be converted to black and white on the computer using several methods, including desaturating the existing color RGB image so that no color ...
The first color photograph made by the three-color method suggested by James Clerk Maxwell in 1855, taken in 1861 by Thomas Sutton. The subject is a colored ribbon, usually described as a tartan ribbon. Color photography (also spelled as colour photography in Commonwealth English) is photography that uses media capable of capturing and ...
Image credits: Detroit Photograph Company "There was a two-color process invented around 1913 by Kodak that used two glass plates in contact with each other, one being red-orange and the other ...
This list of monochrome and RGB palettes includes generic repertoires of colors (color palettes) to produce black-and-white and RGB color pictures by a computer's display hardware. RGB is the most common method to produce colors for displays; so these complete RGB color repertoires have every possible combination of R-G-B triplets within any ...
Color digital images are made of pixels, and pixels are made of combinations of primary colors represented by a series of code. A channel in this context is the grayscale image of the same size as a color image, [citation needed] made of just one of these primary colors.
Eastman Kodak, the supplier of motion picture film, introduced a panchromatic film stock in September 1913, available on special order for photographing color motion pictures in additive systems. [6] Photographers began using it for black-and-white films too in 1918, primarily for outdoor scenes.
In a diluted toning solution, selenium toning gives a red-brown tone, while a strong solution gives a purple-brown tone. The change in color depends upon the chemical make-up of the photographic emulsion being toned. Chloro-bromide papers change dramatically, whilst pure bromide papers change little. Fibre-based papers are more responsive to ...