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The main types of masks included masks with a stick (which one could hold to keep the mask in front of their face), the head mask, the full-face mask, and the half face mask. [7] Masquerade masks have been used in classics such as The Phantom of the Opera, Romeo and Juliet, Lone Ranger, and Gossip Girl. They are still used in many types of ...
The performances are given by men, wearing masks that feature sculpted images of scenes including animals and people or sewing machines and drums. The pair of men masquerade as women to amuse, please and placate the mothers who are considered very powerful, and who may use their powers for good or destructive purposes.
Another common subject of African masks is a woman's face, usually based on a specific culture's ideal of feminine beauty. Female masks of the Punu people of Gabon, for example, have long curved eyelashes, almond-shaped eyes, thin chin, and traditional ornaments on their cheeks, as all these are considered good-looking traits. [17]
The Mmanwu practice is limited to male participants and there are strict rules governing how each gender interacts with the masquerade. Men are solely responsible for the creation, care, and use of the masks. [6] The induction of members into mask-making societies serves as a male rite of passage in some Igbo societies. [7]
Adamma masquerade is a contemporary maiden spirit mask worn by men. Adamma, which means "beautiful woman" and is usually presented to a family's first female child, is the name of the ceremonial masquerade. People frequently question whether the man wearing the mask is indeed a man because she constantly looks stunning in colorful attire and ...
An Egungun society is composed of men and women whose lineages have the right to present the masquerade. Men do the masking. Women never wear the costume, although they participate in the chorus that sings the oriki praise poems and histories of the families. Elder women of high title also perform invocations, prayers, and offerings.