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Feminist literary criticism can be traced back to medieval times, with some arguing that Geoffrey Chaucer's Wife of Bath could be an example of early feminist literary critics. [2] Additionally, the period considered First wave feminism also contributed extensively to literature and women's presence within it.
Feminism Is for Everybody: Passionate Politics, bell hooks (2000) Feminist Theory (2000–present) Manifesta: Young women, Feminism and the Future, Jennifer Baumgardner and Amy Richards (2000) Scapegoat: The Jews, Israel, and Women's Liberation, Andrea Dworkin (2000) "Shakespeare's Sonnets and the Mystique of the Sheikh", Annie Laurie Gaylor ...
This strand of feminist literary theory originated in France in the early 1970s through the works of Cixous and other theorists including Luce Irigaray, [2] Chantal Chawaf, [3] [4] Catherine Clément and Julia Kristeva, [5] [6] and has subsequently been expanded upon by writers such as psychoanalytic theorist Bracha Ettinger.
Feminist children's literature is the writing of children's literature through a feminist lens. Children's literature and women's literature have many similarities. Both often deal with being weak and placed towards the bottom of a hierarchy. In this way feminist ideas are regularly found in the structure of children's literature. Feminist ...
In the most general terms, feminist literary criticism before the 1970s was concerned with the politics of women's authorship and the representation of women's condition within literature. [72] Since the arrival of more complex conceptions of gender and subjectivity, feminist literary criticism has taken a variety of new routes.
Feminist literature is fiction or nonfiction which supports the feminist goals of defining, establishing and defending equal civil, political, economic and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regards status, privilege and power – and generally portrays the consequences to ...
While previous figures like Virginia Woolf and Simone de Beauvoir had already begun to review and evaluate the female image in literature, [2] and second-wave feminism had explored phallocentrism and sexism through a female reading of male authors, gynocriticism was designed as a "second phase" in feminist criticism – turning to a focus on, and interrogation of female authorship, images, the ...
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."