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Franz Liszt composed his Piano Concerto No. 1 in E ♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.
Piano Concerto No.1: pf orch E ♭ major 1835–56 Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H ...
Piano Concerto No. 1 refers to the first piano concerto published by one of a number of composers: Piano Concerto No. 1 ... Piano Concerto No. 1 (Liszt) (S. 124), ...
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
Liszt;_piano_concerto_No._1,_I._Allegro_Maestoso.ogg (Ogg Vorbis sound file, length 5 min 0 s, 70 kbps, file size: 2.51 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Piano Concerto No. 1 (Liszt) Piano Concerto No. 2 (Liszt) Piano Concerto No. 3 (Liszt) This page was last edited on 3 July 2024, at 10:18 (UTC). Text is available ...
For example, Liszt's second and third concertos are played without breaks between the different sections, Brahms's Piano Concerto No. 2 and Liszt's Piano Concerto No. 1 have 4 movements and Tchaikovsky's Piano Concerto No. 3 in E-flat major has only one (Allegro brillante).
The pieces are all based on some of the Caprices (Nos. 6/5, 17, 1, 9, and 24) and concertos (No. 2/1) by Niccolò Paganini for violin, and are among the most technically demanding pieces in pianistics (especially the original versions, before Liszt revised them, thinning the textures and removing some of the more outrageous technical difficulties).