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Gelineau psalmody is a method of singing the Psalms that was developed in France by Catholic Jesuit priest Joseph Gelineau around 1953, with English translations appearing some ten years later. [1] Its chief distinctives are:
Joseph Gelineau, SJ (31 October 1920 – 8 August 2008) was a French Jesuit priest and composer, mainly of modern Christian liturgical music. [1] He was a member of the translation committee for La Bible de Jérusalem (1959). [2] Gelineau was born in Champ-sur-Layon, Maine-et-Loire.
The Grail Psalms were already popular before the Second Vatican Council revised the liturgies of the Roman rite.Because the Council called for more liturgical use of the vernacular instead of Latin, and also for more singing and chanting (as opposed to the silent Low Mass and privately recited Divine Office, which were the predominantly celebrated forms of the Roman rite before the Council ...
One of the Songs of Ascents, Psalm 122 appears in Hebrew on the walls at the entrance to the City of David, Jerusalem.. Song of Ascents is a title given to fifteen of the Psalms, 120–134 (119–133 in the Septuagint and the Vulgate), each starting with the superscription "Shir Hama'aloth" (Hebrew: שיר המעלות, romanized: šir ham-ma‘loṯ, lit.
Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. [1] In English, ... [51] and Joseph Gelineau's "Cry Out with Joy to the Lord" in his Gradual. ...
Responsorial psalmody primarily refers to the placement and use of the Psalm within the readings at a Christian service of the Eucharist. The Psalm chosen in such a context is often called the responsorial psalm. They are found in the liturgies of several Christian denominations, including those of Roman Catholicism, Lutheranism and Anglicanism.
7. Give thanks to the Lord, for he is good; his love endures forever. –Psalm 107:1 8. You are my God, and I will give you thanks; you are my God, and I will exalt you.
The Tikkun HaKlali consists of the following ten Psalms said in this order: 16, 32, 41, 42, 59, 77, 90, 105, 137, and 150. [2] Each recital is preceded by a paragraph expressing one's desire to bind himself to the tzadikim of all generations, especially Rebbe Nachman, and several verses which are customarily recited before any saying of Psalms.