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Arabic calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt ( Arabic : خَطّ ), derived from the words 'line', 'design', or 'construction'.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic , Persian , Ottoman , and Urdu calligraphy.
Salah al-Din al-Munajjid, "Women's Roles in the Art of Arabic Calligraphy" in: George Nicholas Atiyeh (ed.), The Book in the Islamic World: The Written Word and Communication in the Middle East, Albany, State University of New York Press, 1995, pp 141–149.
Thuluth (Arabic: ثُلُث, Ṯuluṯ or Arabic: خَطُّ الثُّلُثِ, Ḵaṭṭ-uṯ-Ṯuluṯ; Persian: ثلث, Sols; Turkish: Sülüs, from thuluth "one-third") is an Arabic script variety of Islamic calligraphy. The straight angular forms of Kufic were replaced in the new script by curved and oblique lines.
Naskh [a] is a smaller, round script of Islamic calligraphy.Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility.
Mouneer Al-Shaarani (Arabic: منير الشعراني; born September 6, 1952) is a Syrian graphic artist specialized in Arabic calligraphy. [1] Al-Shaarani is known as calligrapher, graphic designer and writer about Arabic calligraphy and Arab Islamic art. He has designed several Arabic typefaces for book covers or other graphic creations ...
Ruqʿah is the most common type of handwriting in the Arabic script. It is known for its clipped letters composed of short, straight lines and simple curves, as well as its straight and even lines of text. It was probably derived from the Thuluth and Naskh styles. Unlike other types of calligraphy, ruqʿah is not considered as an art form ...
The Hurufiyya movement (Arabic: حروفية ḥurūfiyyah adjectival form ḥurūfī, 'of letters' of the alphabet) is an aesthetic movement that emerged in the second half of the twentieth century amongst artists from Muslim countries, who used their understanding of traditional Islamic calligraphy within the precepts of modern art.