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Izzard, Sebastian, Hiroshige: An Exhibition of Selected Prints and Illustrated Books, New York, Ukiyo-e Society of America, 1983. ISBN 0-9610398-0-9; Meech, Julia, and Jane Oliver, eds., Designed for Pleasure, The World of Edo Japan in Prints and Paintings, 1680-1860, New York, Asia Society and Japanese Art Society of America, 2008.
The print is a vertical ōban of 37.9 × 24.9 centimetres (14.9 × 9.8 in), [24] and is a nishiki-e —a full-colour ukiyo-e print made from multiple woodblocks, one for each colour; the inked blocks are pressed on Japanese handmade paper. To produce a glittering effect the background is dusted with muscovite, a variety of mica.
Geisha playing go, a woodblock print. Kikukawa Eizan (菊川 英山, 1787 – July 17, 1867) was a designer of ukiyo-e style Japanese woodblock prints.He first studied with his father, Eiji, a minor painter of the Kanō school, and subsequently with Suzuki Nanrei (1775–1844), of the Shijō school.
Geisha are skilled artists, trained in and performing music and dance. Geisha Komomo and Mameyoshi from Gion Kobu playing shamisen. Geisha entertain their guests with a combination of both their hostessing and conversational skills, and their skills in traditional Japanese art forms of dance, music and singing.
Mineko Iwasaki, former high-ranking Gion geisha, detailed her experience of mizuage in her autobiography, Geisha, a Life.Describing her experience of graduation to geishahood with the term mizuage, Iwasaki described her experience as a round of formal visits to announce her graduation, including the presentation of gifts to related geisha houses and important patrons, and a cycle through five ...
Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [ 3 ]
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