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A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...
Williams made over 8,000 silhouettes during his first year working at Peale's museum. [3] He earned between 6 and 8 cents for every silhouette he cut. [4] With the money Williams earned making silhouettes, he bought a house and married. [1] By 1823, silhouette-cutting as a profession was in decline, and Williams had to sell his house. [1]
Miers was well acquainted with Robert Burns as Burn's described in a letter suggesting his friend Robert Ainslee sit for a profile painting by John Miers so that he can hang "Lord Glencairn, the Dr. and you (Ainslee), in trio, over my new chimney-piece that is to be."
The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes. It then became popular in Europe in the 19th century.
Before co-founding Art And Animation Studio with her husband, Dagmar Doubková created several short cutout animations, such as Oparádivé Sally (1976) (broadcast in the US as About Dressy Sally on Nickelodeon's Pinwheel and subject of a 5-year long lost media search on internetfora), [12] Perníkový dědek (Gingerbread Man) (1977) [13 ...