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Haegap Jeoung, writing in 2003 of the attitude of Homer and the ancient Greeks, suggests that "the Ethiopians take their place as the other of the [ancient] Greeks, regardless of their skin color. Remarkably, there are white Ethiopians. Not because the Ethiopians are black, but because they are the other, they become a matter of a discourse." [20]
Dark skin – depicted in art using brown, black, blue, grey and sometimes purple hues – often signified negative moral and spiritual qualities distinct from physical appearance. Thus, the image of Saladin facing Richard I in the 14th century Luttrell Psalter depicts the Saracen with dark blue skin and a monstrous expression.
Pan-African colours is a term that may refer to two different sets of colours: . Green, yellow and red, the colours of the flag of Ethiopia, have come to represent the pan-Africanist ideology due to the country's history of having avoided being taken over by a colonial power.
A large Ethiopian community is also found in Israel, where Ethiopians make up almost 1.9% of the population. [citation needed] Almost the entire community are members of the Beta Israel community. There are also large number of Ethiopian emigrants in Saudi Arabia, Italy, Lebanon, United Kingdom, Canada, Sweden and Australia. [citation needed].
Negroid (less commonly called Congoid) is an obsolete racial grouping of various people indigenous to Africa south of the area which stretched from the southern Sahara desert in the west to the African Great Lakes in the southeast, [1] but also to isolated parts of South and Southeast Asia (). [2]
Ethiopid (also spelled Aethiopid) [a] is an outdated racial classification of humans indigenous to Northeast Africa, who were typically classified as part of the Caucasian race – the Hamitic sub-branch, or in rare instances the Negroid race.
“The Color Purple,” a movie musical adaptation of Alice Walker's novel, 1985 film, and stage musical is slated to premiere in North America on Dec. 25. ... a Black woman in the South in the ...
"Washing the Ethiopian white: conceptualising black skin in Renaissance England", Anu Korhonen, in Black Africans in Renaissance Europe, (Cambridge University Press, 2005), Ch. 4, pp. 94–112 Racism on the Victorian Stage: Representation of Slavery and the Black Character , Hazel Waters , Cambridge University Press, 2007