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American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques.
Ancient Mesoamerican pottery is one of the most significant and diverse aspects of the region’s cultural and artistic heritage. Its forms, styles, and functions vary widely across time and geographic location, yet the art of pottery production played a crucial role in both daily life and ceremonial practices for the Mesoamerican peoples.
The movement was strongly linked with the fashion for national and international competitions and awards in the period, with the World's fairs the largest. America's first of these was the Centennial Exposition in Philadelphia in 1876, which "was a critical catalyst for the development of the American Art Pottery movement", both because American commercial potteries exerted themselves to ...
Mississippian culture pottery is the ceramic tradition of the Mississippian culture (800 to 1600 CE) found as artifacts in archaeological sites in the American Midwest and Southeast. It is often characterized by the adoption and use of riverine (or more rarely marine) shell- tempering agents in the clay paste. [ 1 ]
Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant impact on the Art Nouveau movement in the United States, and his pottery is foundational to American Art ...
Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico.Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s.
Edgar Lee Hewett (November 23, 1865 – December 31, 1946) was an American archaeologist and anthropologist whose focus was the Native American communities of New Mexico and the southwestern United States.
[62] Native American modern and contemporary art, and pueblo pottery and other "crafts" face a kind of double jeopardy because in the past not only have "craft-based media" been excluded from American art history, the field has frequently marginalized Native American art and the artists that make these works, relinquishing them to the realms of ...