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At the 1991 Winter NAMM Show, Alesis introduced the ADAT digital tape recorder. Alesis created the File Streaming Technology (FST) proprietary disk file system for their ADAT HD24 recorder. [ 6 ] Each ADAT could record 8 tracks of 16-bit audio on an S-VHS videocassette tape, and up to 16 ADATs could be connected together to record 128 tracks of ...
A hard disk recorder (HDR) is a system that uses a high-capacity hard disk to record digital audio or digital video. Hard disk recording systems represent an alternative to reel-to-reel audio tape recording and video tape recorders , and provide non-linear editing capabilities unavailable using tape recorders.
In 1956, Cleveland Institute of Electronics conceptualized and patented its "Auto-Programmed" method, a new approach to curriculum presentation. [4] In the 1960s, Carl Smith commissioned Pickett & Eckel Company to manufacture a slide rule tailored toward the school's course modules. The model became known as the Pickett N515-T Electronic Slide ...
Again the acetate is deemed not as good as the digital backup, so the digital master is used for the LP record (Sound80 Records S80-DLR-102). This makes it the first U.S. non-classical digital release. Within 6 months the hand-built ("very bulky and finicky") 3M digital recorder is disassembled, rendering the non-standard master tape unplayable.
A digital video recorder (DVR), also referred to as a personal video recorder (PVR) particularly in Canadian and British English, is an electronic device that records video in a digital format to a disk drive, USB flash drive, SD memory card, SSD or other local or networked mass storage device.
Alesis Fusion is a music production workstation produced by Alesis introduced in early 2005. It uses four different types of synthesis: sample and synthesis, virtual analog, FM and physical modeling. It includes sampling capability through analog inputs and importing audio samples from a computer or memory card. [1]
Digital audio recorders are fundamentally high bit-rate data recorders storing PCM encoded audio data. The main advantage of any digital recording medium is that of consistent, flat frequency response, high dynamic range audio reproduction compared to analog tape recorders, which is why some of the first uses of digital audio recording were for ...
Also, because of the time needed for the mechanism to switch direction, there is always a short interruption in the audio between the two sides of the tape. DCC recorders could record from digital sources that used the S/PDIF standard, at sample rates of 32 kHz, 44.1 kHz or 48 kHz, or they could record from analog sources at 44.1 kHz.