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Surrealist music is music which uses unexpected juxtapositions and other surrealist techniques.Discussing Theodor W. Adorno, Max Paddison defines surrealist music as that which "juxtaposes its historically devalued fragments in a montage-like manner which enables them to yield up new meanings within a new aesthetic unity", [1] though Lloyd Whitesell says this is Paddison's gloss of the term. [2]
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
His compelling and mysterious paintings are considered instrumental to the early beginnings of Surrealism. Song of Love (1914) is one of the most famous works by de Chirico and is an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
In the mid 19th century, decadence came to refer to moral decay, and was attributed as the cause of the fall of great civilizations, like the Roman empire. The decadent movement was a response to the perceived decadence within the earlier Romantic, naturalist and realist movements in France at this time. [52]
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Alexander Rodchenko, chess table design, 1925 Constructivism. Ilya Golosov , Zuev Club , 1926 The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union , approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late ...
The Surrealist movement has been a fractious one since its inception. The value and role of the various techniques has been one of many subjects of disagreement. Some Surrealists consider automatism and games to be sources of inspiration only, while others consider them starting points for finished works.
In 1924, Picasso designed the sets and costumes for Massine's Mercure, which was produced not by Diaghilev, but by Comte Étienne de Beaumont with music by Satie. [10] Picasso did not design for the theater again until 1946, when he did the curtain design for Roland Petit's Le Rendez-vous at the Ballets des Champs-Élysées. [5]