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Dutch Baroque architecture is a variety of Baroque architecture that flourished in the Dutch Republic and its colonies during the Dutch Golden Age of the 17th century. (Dutch painting during the period is covered by Dutch Golden Age painting). Like contemporary developments in England, Dutch Palladianism is marked by
Although Dutch painting of the Golden Age is included in the general European period of Baroque painting, and often shows many of its characteristics, most lacks the idealization and love of splendour typical of much Baroque work, including that of neighbouring Flanders.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ...
Landscapes and seascapes, for example, reflect the land reclaimed from the sea and the sources of trade and naval power that mark the Republic's Golden Age. One subject that is quite characteristic of Dutch Baroque painting is the large group portrait, especially of civic and militia guilds, such as Rembrandt van Rijn's Night Watch.
Dutch Golden Age painting, spanning from about 1620 to 1680, was a distinct style and movement that evolved out of the Flemish Baroque tradition. It was a period of great artistic achievement in the Netherlands. There was a healthy artistic climate in Dutch cities during the seventeenth century.
Although many artists fled the religious wars and moved from the Southern Netherlands to the Dutch Republic (see Dutch Golden Age painting), Flemish Baroque painting flourished, especially in the Antwerp school, during the seventeenth century under Rubens, Anthony van Dyck, and Jacob Jordaens.
While the Baroque nature of Rembrandt's art is clear, the label is less used for Vermeer and many other Dutch artists. Most Dutch art lacks the idealization and love of splendour typical of much Baroque work, including the neighbouring Flemish Baroque painting which shared a part in Dutch trends, while also continuing to produce the traditional ...
This Dutch Baroque garden, often nicknamed the "Versailles of Holland", actually serves to show more differences than similarities. It is still within the general Baroque formula established by André Le Nôtre: perfect symmetry, axial layout radiating gravel walks, parterres with fountains, basins and statues. The palace, seen from the gardens.