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Its French translation Pathétique is generally used in French, Spanish, English, German and other languages, [5] Many English-speaking classical musicians had, by the early 20th century, adopted an English spelling and pronunciation for Tchaikovsky's symphony, dubbing it "The Pathetic", as shorthand to differentiate it from a popular 1798 ...
Because of the constant singing of eighth notes in 6 8 meter at an allegro vivace tempo, the piece is often noted as one of the most difficult baritone arias to perform. [1] This, along with the tongue-twisting nature of some of the lines, insisting on Italian superlatives (always ending in "-issimo"), have made it a pièce de résistance in which a skilled baritone has the chance to highlight ...
Allegro is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital.
In strict tempo at a marching pace (e.g. 120 BPM) Allargando: broadening: Slowing down and broadening; becoming more stately and majestic, possibly louder Allegro: joyful; lively and fast: Joyful; moderately fast tempo Allegretto: a little bit joyful: Slightly less joyful than allegro (so slightly slower tempo) Andante: walking
Piano Transcriptions of Eight Songs (1932) George Gershwin’s Song-Book (1932), complex arrangements of 18 Gershwin songs the 1932 hardbound editions contained original artwork by Constantin Alajalov for the 18 songs; a 19th song was enclosed with the 500 signed/numbered copies of the 1932 first edition: Mischa, Yascha, Toscha, Sascha
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Swan Lake (Russian: Лебеди́ное о́зеро, romanized: Lebedínoje ózero, IPA: [lʲɪbʲɪˈdʲinəjə ˈozʲɪrə] listen ⓘ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76.
Finale: Molto allegro A typical performance lasts around 20 minutes. In the first movement Grieg used a technique probably most famously used by Bach and Shostakovich : his own name, more precisely his initials E-H-G (H being the German name for note B ), begins the melody in the first two bars, which is reiterated in octaves and even echoed by ...