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Charles Henry Gonda (22 June 1889 – 1 April 1969), professionally known as C. H. Gonda, was a Hungarian architect famous for his ultra-modern style of building.He was active in Shanghai throughout the 1920s–1940s and began working on his first project, the Messrs, Lane, Crawford & Co's New Frontage building, in 1922 after leaving his previous firm Probst, Hanbury & Co..
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Cathay, North Dakota, United States; Cathays, a district of Cardiff, the capital of Wales; Cathay Theatre , a historical landmark movie theatre in Shanghai; In media: Cathay (poetry collection), a book of poems by Ezra Pound; Cathay (Warhammer), a fictional nation in Games Workshop's Warhammer Fantasy universe; Other: Cathay Bank, a Chinese ...
Shanghai Jinjiang Hotel (上海锦江饭店) is a for-profit hotel in Huangpu, Shanghai, China. The hotel is operated by Jin Jiang International (Holdings) Co., Ltd. The main part of the hotel comprises two early 20th century apartment buildings, set around two lawns.
This list of outstanding historic buildings of Shanghai (Chinese: 上海市优秀历史建筑; pinyin: shànghǎi shì yōuxiù lìshǐ jiànzhú) is a list encompassing 'Outstanding Historical Buildings' of Shanghai, China, nominated by the Shanghai Municipal People's Government starting from 1989. There are currently 5 batches of buildings ...
Believing that Cathay had been taken over by the Chinese Communist Party (CCP) amidst the Chinese Civil War, Xu sold his own property to raise funds and continued production. Storms on Ali Mountain was a commercial success, later receiving screenings for Taiwanese President Chiang Kai-shek as well as the Chinese diaspora in New York. [9]
London: Lorimer; New York: Bounty Books, 1974. ISBN 0-85647-045-7, ISBN 0-517-51831-7. Wong, Ain-ling. The Shaw Screen: A Preliminary Study. Hong Kong: Hong Kong Film Archive, 2003. ISBN 962-8050-21-4. Zhong, Baoxian. "Hollywood of the East" in the Making: The Cathay Organization Vs. the Shaw Organization in Post-War Hong Kong. [Hong Kong ...
He immediately cabled Gertrude Lawrence in New York to ask her to keep autumn 1930 free to appear in the play. After spending a few more weeks revising it, he typed the final draft in The Cathay Hotel in Shanghai and sent copies to Lawrence and his producer and manager, John C. Wilson, with instructions to cable him with their reactions. [2]