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Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
Michelangelo's two frescoes in the Cappella Paolina, The Conversion of Saul and The Crucifixion of St Peter were painted from 1542 to 1549, the height of his fame, but were widely viewed as disappointments and even failures by their contemporary audience. They did not conform to the compositional conventions of the time and the subject-matter ...
Michelangelo probably began working on the plans and sketches for the design from April 1508. [39] The preparatory work on the ceiling was complete in late July the same year and on 4 February 1510, Francesco Albertini recorded that Michelangelo had "decorated the upper, arched part with very beautiful pictures and gold". [39]
Michelangelo, nonetheless, is one of the artists who gave rise to the notion of “late style”: the idea that the artist’s vision gets truer and more personal the older they get.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
It contains the manuscripts and books belonging to the private library of the Medici family. The library building is renowned for its architecture that was designed by Michelangelo and is an example of Mannerism. [1] [2] [3] All of the book-bound manuscripts in the library are identified in its Codex Laurentianus.
To say “Sin” is about Michelangelo is much too reductive. Rather than offering up a definitive portrait of the Italian artist, Russian director Andrei Konchalovsky has crafted instead He’s ...
It was the first essay in architecture (1519–1524) of Michelangelo, [2] who also designed its monuments that are dedicated to certain members of the Medici family, with sculptural personifications of the four times of day [3] that were destined to influence sculptural figures reclining on architraves for many generations to come. The ...