Ads
related to: edgar degas techniques of art movement
Search results
Results From The WOW.Com Content Network
Art historian Charles Stuckey has compared the viewpoint to that of a distracted spectator at a ballet, and says that "it is Degas' fascination with the depiction of movement, including the movement of a spectator's eyes as during a random glance, that is properly speaking 'Impressionist'."
Degas is the painter of dancers because of the large number of works he devoted to this subject during the period 1860–1890. [1]The influence of the Japanese prints by Hokusai and Utamaro allowed Degas, in a phenomenon linked as a whole to the impressionist movement, to free one of the last barriers of academic painting, the vision of the object.
The Dance Class is an 1874 oil painting on canvas by the French artist Edgar Degas. [1] It is in the collection of the Metropolitan Museum of Art, in New York. [2]The painting and its companion work in the Musée d'Orsay, Paris, are amongst the most ambitious works by Degas on the theme of ballet.
Degas painted the first ballet scene in 1866, and he went on to paint an estimated 1,500 works on the subject. According to the writer Susan Meyer, Degas felt sympathy for dancers who had to repeat and repeat until they reached absolute perfection. He was curious about movement, music, French society, and the costumes of ballerinas.
The Dance Lesson (sometimes known as The Dancing Lesson) is an oil on canvas painting by the French artist Edgar Degas created around 1879. It is currently kept at the National Gallery of Art in Washington, D.C. There is at least one other work by Degas by this title, also made in about 1879, which is a pastel. [1]
The original wax sculpture at the National Gallery of Art, Washington, D.C.. The Little Fourteen-Year-Old Dancer (French: La Petite Danseuse de Quatorze Ans) is a sculpture begun c. 1880 by Edgar Degas of a young student of the Paris Opera Ballet dance school, a Belgian named Marie van Goethem.