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Strike Up the Band is a 1927 musical with a book by Morrie Ryskind, lyrics by Ira Gershwin and music by George Gershwin.It first ran as a satirical show in Philadelphia that year, unsuccessfully, and on Broadway in 1930 after the original book by George S. Kaufman was revised by Ryskind.
"Strike Up the Band" is a 1927 song composed by George Gershwin, with lyrics by Ira Gershwin with the collaboration of Millie Raush. It was written for the 1927 musical Strike Up the Band, where it formed part of a satire on war and militaristic music. Although the musical was not successful, the instrumental version of the song, titled the ...
Strike Up the Band (Red Garland album) "Strike Up the Band", a song by Poison from Native Tongue; Strike! Up the Band, an album by The Scaramanga Six "Strike Up the Band (Here Comes a Sailor)" a 1900 song by Andrew B. Sterling and Charles B. Ward "Strike Up the Band", a 1930 Screen Songs animated cartoon using the 1900 composition
"I've Got a Crush on You" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It is unique among Gershwin compositions in that it was used for two different Broadway productions: Treasure Girl (1928), when it was introduced by Clifton Webb and Mary Hay, and Strike Up the Band (1930), when it was sung by Doris Carson and Gordon Smith. [1]
"The Man I Love" is a popular standard with music by George Gershwin and lyrics by his brother Ira Gershwin.Part of the 1924 score for the Gershwin musical comedy Lady, Be Good, the song was deleted from that show and put into the Gershwins' 1927 government satire Strike Up the Band (where it appears as "The Man I Love" and "The Girl I Love"), which closed out-of-town.
The previous Boeing machinists strike, in 2008, lasted nearly two months; however, in a note to clients, Bank of America analyst Ronald Epstein said the latest one could prove as short as a week.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer.The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley.
Luck. Fate. Blessing. A glitch in the matrix. Or, if you’re more skeptical, just a coincidence.. It’s a phenomenon that, from a statistical perspective, is random and meaningless.