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Petersham, the 3rd Earl of Harrington's eldest son, was a Regency era buck. He was educated at Eton from 1793 until 1795 on 7 December of that year, on 10 March 1812, he was appointed a Gentleman of the Bedchamber to King George III. He continued to serve in that post under King George IV until 1820. [2] The family home in London was Harrington ...
The style was often worn in white to denote as high social status. Josephine Bonaparte was one of the figureheads for the Empire waistline, with her elaborated and decorated Empire line dresses. Regency women followed the Empire style along with the same trend of raised waistlines as French styles, even when their countries were at war.
Jane Stanhope, Countess of Harrington (née Fleming; 23 May 1755 – 3 February 1824), was a society hostess and heiress who served as a lady of the Bedchamber to the British queen Charlotte of Mecklenburg-Strelitz.
The Regency era overlapped with Romanticism and many of the major artists, musicians, novelists and poets of the Romantic movement were prominent Regency figures, such as Jane Austen, William Blake, Lord Byron, John Constable, John Keats, John Nash, Ann Radcliffe, Walter Scott, Mary Shelley, Percy Bysshe Shelley, J. M. W. Turner and William ...
The Countess of Oxford and her daughter, Lady Jane Elizabeth Harley (follower of John Hoppner) Among her children were: [2] [3] Lady Jane Elizabeth Harley (b. 2 March 1796, d. after 1843); married Henry Bickersteth, raised to the peerage as Baron Langdale. Edward Harley, Lord Harley (20 January 1800 – 1 January 1828).
The true story behind Prime Video's romantic fantasy drama "My Lady Jane." ‘My Lady Jane’ puts a fantasy spin on the life of a Tudor monarch. The true story of the ‘Nine-Day Queen’
Jane Read, Unknown Gentleman. Read painted portraits from the 1790s until 1815. [5] She painted silhouettes, generally on glass, for her mother from the early 1790s until 1797. [6] [7] Read's work was influenced by her mother's style and was often framed in pearwood or papier-mache. [5]
The lady on the right wears a mantua. The men's long, narrow coats are trimmed with gold braid. c.1730–1740 Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s .