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"Pretty Savage" is a song recorded by South Korean girl group Blackpink from their debut Korean studio album The Album. It was released on October 2, 2020, through YG and Interscope. The track was composed by Teddy, R.Tee, 24, Bekuh Boom, with lyrics written by Teddy, Løren, Vince, and Danny Chung. Lyrically, the song deals with the group not ...
"10 Freaky Girls" is a song by American record producer Metro Boomin featuring Atlanta-based rapper 21 Savage. It was released on November 2, 2018 as a track from Metro Boomin's debut studio album Not All Heroes Wear Capes (2018).
Candace McDuffie of Consequence of Sound noted, in the song, Megan "paints herself as 'the hood Mona Lisa' while celebrating her complexity." [3] Megan employs huge bravado on the song, which, according to HipHopDX ' s Aaron McKrell, works to her advantage, as she "surgically pummels a formidable J. White Did It beat into submission, and still makes time for cool quips like \'I need a mop to ...
A Color Map of the Sun is the fourth studio album by the American electronic music producer Pretty Lights, [1] released on July 2, 2013 by Pretty Lights Music and 8 Minutes 20 Seconds Records. The album is Smith's second double album, as well as his first to be composed entirely from his own original material.
"Savage" is a song recorded by South Korean girl group Aespa for their first extended play (EP) of the same name. It was released as the lead single on October 5, 2021, by SM Entertainment . Described as a " hyperpop -tinged title track", the song was written by Yoo Young-jin , who also composed along with Kirsten Collins, Jia Lih, and Hautboi ...
"Prove It" is a song by British-American rapper 21 Savage and American singer Summer Walker. It was sent to US rhythmic radio through Slaughter Gang and Epic Records as the fourth and final single from the former's third studio album, American Dream, on June 4, 2024. [1]
The Magical Negro is a trope in American cinema, television, and literature. In the cinema of the United States, the Magical Negro is a supporting stock character who comes to the aid of the (usually white) protagonists in a film. [1]
The lyrical content and other instrumental accompaniment of hip-hop developed as well. The early lyrical styles in the 1970, which tended to be boasts and clichéd chants, were replaced with metaphorical lyrics exploring a wider range of subjects. As well, the lyrics were performed over more complex, multi-layered instrumental accompaniment.