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Ship of Fools (painting) Shipping by a Breakwater (J. M. W. Turner) Ships in Harbour, Evening; The Shipwreck (Turner) Shipwreck on the Norwegian Coast; French frigate Sibylle (1791) The Sirens and Ulysses; The Slave Ship; Snow Storm: Steam-Boat off a Harbour's Mouth; Sommarnöje; The Stages of Life; Steamboats in the Port of Rouen; Storm at Sea ...
Marine art or maritime art is a form of figurative art (that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. [ 1 ]
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Aivazovsky's signature in Russian, 1850 Aivazovsky's signature in Armenian on oil painting from 1899. Ivan Konstantinovich Aivazovsky (Russian: Иван Константинович Айвазовский; 29 July [O.S. 17 July] 1817 – 2 May [O.S. 19 April] 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art.
Classified as a history painting, [4] The Storm on the Sea of Galilee is an oil-on-canvas painting and is about 160 x 128 cm in size. It was Rembrandt's earliest painting, completed when he was 29 years old, and it is the largest known historical work that he completed.
British marine paintings from this era can be divided into three main categories. These are: ship portraits, paintings of ships at sea, and inshore, coastal and harbour scenes. [19] Ship portraits, as mentioned above, were immensely popular before and throughout the Romantic era. Ship portraits were, as apparent by the name, focused entirely on ...
Montague Dawson was the son of a keen yachtsman and the grandson of the marine painter Henry Dawson (1811-1878), and was born in Chiswick, London.Much of his childhood was spent on Southampton Water where he was able to indulge his interest in the study of ships.
Wreckers – Coast of Northumberland, with a Steamboat Assisting a Ship off Shore 1833-34 Yale Center for British Art, Connecticut: 90.5 x 120.8 Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting 1833 Tate Britain, London: 51.1 x 81.6 Venice: The Dogana and San Giorgio Maggiore, 1834 1834