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Writer George T. Simon, while working on a compilation of music for The Big Band Songbook, contacted composer Will Hudson regarding "Moonglow", and Hudson explained how the tune came about. "It happened very simply. Back in the early '30s, I had a band at the Graystone Ballroom in Detroit, and I needed a theme song. So I wrote 'Moonglow'."
The Colony Club is a women-only private social club in New York City. Founded in 1903 by Florence Jaffray Harriman , wife of J. Borden Harriman , as the first social club established in New York City by and for women, it was modeled on similar gentlemen's clubs .
The Moonglows, "I Knew from the Start", 1956 The Moonglows, "Over and Over Again", 1956. The Moonglows were an American R&B group in the 1950s. Their song "Sincerely" went to number 1 on the Billboard R&B chart and number 20 on the Billboard Juke Box chart.
The club movement became part of Progressive era social reform, which was reflected by many of the reforms and issues addressed by club members. [4] According to Maureen A. Flanagan, [5] many women's clubs focused on the welfare of their community because of their shared experiences in tending to the well-being of home-life.
Three decades after the 1915 Armenian Genocide, an optimistic American Armenian returns to his Sovietized homeland, only be thrown in prison under flimsy circumstances. ... ‘Amerikatsi’ Review ...
Carolines on Broadway was a venue for stand-up comedy situated at 750 Seventh Avenue, on Broadway between 49th and 50th Streets, in the Midtown Manhattan neighborhood of New York City. The club operated from 1981 to 2022.
The Cafe Au Go Go was a Greenwich Village night club located in the basement of the New Andy Warhol Garrick Theatre building in the late 1960s, and located at 152 Bleecker Street in Manhattan, New York City. The club featured many musical groups, folk singers and comedy acts between the opening in February 1964 until closing in December 1970.
Elayne Boosler (born August 18, 1952) [1] is an American comedian, writer, and actress.. She was one of the few women working in stand-up comedy in the 1970s and 80s, and she broke ground by adopting an observational style that included frank discussions about her life as a single woman, as well as political commentary.