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The list consists mostly of studio recordings. Remix and live recordings are not listed separately unless the song was only released in that form. [1] Album singles are listed as released on their respective album. Only one release is listed per song, except for a couple of re-recordings, like their first Hib-Tone single.
The film took its title from the Automatic for the People song of the same name. [41] The song "The Great Beyond" was released as a single from the Man on the Moon soundtrack album. "The Great Beyond" only reached number 57 on the American pop charts, but was the band's highest-charting single ever in the UK, reaching number three in 2000.
Beat the Retreat: Songs by Richard Thompson "Love Is All Around" 1996 I Shot Andy Warhol Soundtrack "Sponge" [142] Sweet Relief II: Gravity of the Situation "Star Me Kitten" Songs in the Key of X:Music from and Inspired by The X-Files "Revolution" [143] 1997 Batman & Robin soundtrack "Leave" (alternate version) [144] A Life Less Ordinary Soundtrack
Eponymous includes several alternative versions of songs, including the soundtrack contribution "Romance", which had not previously appeared on an R.E.M. record. Spanning from the initial single release of " Radio Free Europe " to the previous year's breakthrough hit album Document , Eponymous provides a fair overview of R.E.M.'s early work.
"Tongue" is a song by American rock band R.E.M., released on July 17, 1995 by Warner Bros. Records, as the fifth and final single from their ninth studio album, Monster (1994). The song was only released in the United States, United Kingdom, Ireland, and Japan.
"Cuyahoga" is a song by R.E.M. from their 1986 album Lifes Rich Pageant. It was written primarily by R.E.M. bassist Mike Mills and drummer Bill Berry, but credited to the whole band. [1] It is one of R.E.M.'s earliest environmentally conscious songs, along with the album's lead single, "Fall on Me". [1] [2]
The song's drums are performed by Buck, [25] who has also cited the song as having his favorite of Mills' basslines. [24] Seth Troyer of PopMatters compares the guitar work on "The Apologist" to that of the band's 1994 album Monster, while referring to its lyrics as a "character study" echoing the chorus of an earlier R.E.M. song, "So.
The song is named after the access number for the last-call return feature of telephones in North America, as indicated by its chorus: "I know you called I know you called I know you hung up my line. Star 69" Of all of the songs on Monster, "Star 69" is the one that evolved most from its initial demo. It started out at six minutes long before ...