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oil on canvas 92 × 72 Musée du Louvre, Paris Belisarius Begging for Alms: 1784 oil on canvas 101 × 115 Musée du Louvre, Paris Oath of the Horatii: 1784–1785 oil on canvas 330 × 425 Louvre Museum, Paris The Death of Socrates: 1787 oil on canvas 130 × 196 Metropolitan Museum of Art, New York The Loves of Paris and Helen: 1788 oil on canvas
Giclée (/ ʒ iː ˈ k l eɪ / zhee-KLAY) describes digital prints intended as fine art and produced by inkjet printers. [1] The term is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne. The name was originally applied to fine art prints created on a modified Iris printer in a process ...
A canvas print is the result of an image printed onto canvas which is often stretched, or gallery-wrapped, onto a frame and displayed. Canvas prints are used as the final output in an art piece, or as a way to reproduce other forms of art.
With assistance from art experts and archivists in Britain, France and the Netherlands, the programme undertook an exhaustive investigation and analysis of the Tutt painting, and they were given special permission by the owners of Le Grand Teddy to view it, to examine it using infra-red and ultra-violet light, and to take minute samples of the ...
Imperial Fritillaries in a Copper Vase is an oil painting on canvas measuring 73.5 by 60.5 cm which was painted in Paris in 1887. [1] [2] It depicts a bouquet of golden imperial fritillaries in a copper vase, the shiny patina of which (surrounded by lavender highlights) "reflects the color of the flowers as the motted wall stands out with a combination of blue, green and yellow shades" with ...
The Church at Auvers is an oil painting created by Dutch Post-Impressionist artist Vincent van Gogh in June 1890 which now hangs in the Musée d'Orsay in Paris, France. The painting depicts the Église Notre-Dame-de-l'Assomption [ fr ] in Auvers-sur-Oise , France, 27 kilometres (17 mi) north-west of Paris.
The Grands Boulevards (French: Les Grands Boulevards) is an oil on canvas painting by Pierre-Auguste Renoir, painted in 1875. The painting illustrates a busy Paris boulevard, showing the effects of industrialisation and Haussmannisation. The image is housed at the Philadelphia Museum of Art. It is considered Renoir's most famous view of Paris.
Portrait of Monsieur Bertin is an 1832 oil on canvas painting by Jean-Auguste-Dominique Ingres. It depicts Louis-François Bertin (1766–1841), the French writer, art collector and director of the pro-royalist Journal des débats.