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Chiwara masks are categorized in three ways: horizontal, vertical, or abstract. In addition, Chiwara can be either male or female. Female Chiwara masks are denoted by the presence of a baby antelope and straight horns. Male Chiwara masks have bent horns and a phallus. The sex of a Chiwara mask is much clearer on horizontal and vertical masks ...
Elephant mask and dancer traditional to Oku, Cameroon [12] Animals are common subjects in African masks. Animal masks typically embody the spirit of animals, so that the mask-wearer becomes a medium to speak to animals themselves (e.g. to ask wild beasts to stay away from the village); in many cases, nevertheless, an animal is also (sometimes ...
The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots. The colors used had symbolic meaning and were sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as nkissi. [2]
Bombers and night fighters were often black, [164] while maritime reconnaissance planes were usually white, to avoid appearing as dark shapes against the sky. [165] For ships, dazzle camouflage was mainly replaced with plain grey in the Second World War, though experimentation with colour schemes continued.
Compared stylistically to Japanese art, [7] the masks are typically oval in shape, with narrowed eyes, arched eyebrows and small ears. [2] The male masks (ikwar) tend to be brown and black pigment over kaolin and viewed as ugly and are shown at night whilst the masks for females (mukudj) tend to be lighter and considered prettier by the locals and are shown in the day. [8]
Colorful, beaded masks are donned at special events such as funerals, important palace festivals and other royal ceremonies. The masks are performed by men and aim to support and enforce royal authority. [18] The power of a Bamileke king, called a Fon, is often represented by the elephant, buffalo, and leopard.
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The shamans (angalkuq) were the ones that told the carvers how to make the masks. Yup'ik masks could be small three-inch finger masks or maskettes (or dance fans, in the Lower Yukon Yup'ik dialects tegumiaq sg tegumiak dual tegumiat pl), but also ten-kilo masks hung from the ceiling or carried by several people. These masks are used to bring ...