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For plays about Christianity or Christian characters, but not necessarily from a Christian perspective, see Category:Plays about Christianity. Subcategories.
The mystery play developed into a series of plays dealing with all the major events in the Christian calendar, from the Creation to the Day of Judgment. By the end of the 15th century, the tradition of acting these plays in cycles on festival days (such as the Feast of Corpus Christi ) was established across Europe.
Liturgical drama refers to medieval forms of dramatic performance that use stories from the Bible or Christian hagiography. The term was widely disseminated by well-known theater historians like Heinrich Alt ( Theater und Kirche , 1846), [ 1 ] E.K. Chambers ( The Mediaeval Stage , 1903) and Karl Young .
The mystery play developed, in some places, into a series of plays dealing with major events in the Christian calendar, from the Creation to the Day of Judgment. By the end of the 15th century, the practice of acting these plays in cycles on festival days was established in several parts of Europe.
The short play is often printed with a preface that includes a long examination of the Gospels by Shaw, in which Shaw analyzes the Bible and proclaims his findings. In summary, Shaw states that Jesus was a benevolent genius (in areas ranging from moral to social to economic) who eventually bought into popular ideas of his divinity and impending martyrdom.
This is the first Nativity play. [4] However, more formal Nativity plays have featured in Christian worship since medieval mystery plays. The 12th to 19th pageants of the 48-play York Mystery Cycle showcase the Nativity stories. However, the most famous Nativity play is from the medieval Wakefield Cycle The Second Shepherds' Play.
J.B. is a 1958 play written in free verse by American playwright and poet Archibald MacLeish, and is a modern-day retelling of the story of the biblical figure Job.The play is about J.B. (a stand-in for Job), a devout millionaire with a happy domestic life whose life is ruined.
Lighthouse Christian Church never charged an admission price as The Promise was always considered "a gift to the community". It is estimated that over 50,000 people had seen the show over the 22-year span. Since 1990 The Promise was performed at Queensway Cathedral in Toronto, Ontario, and was known locally as the Toronto Passion Play.