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The Dukes of Dixieland is an American, New Orleans "Dixieland"-style revival band, originally formed in 1948 by brothers Frank Assunto, trumpet; Fred Assunto, trombone; and their father Papa Jac Assunto, trombone and banjo. Their first records featured Jack Maheu, clarinet; Stanley Mendelsohn, piano; Tommy Rundell, drums; and Barney Mallon ...
Fountain at JazzFest, 2006. Fountain returned to New Orleans, played with the Dukes of Dixieland, then began leading bands under his own name. He owned his own club in the French Quarter in the 1960s and 1970s. He later acquired "Pete Fountain's Jazz Club" at the Riverside Hilton in downtown New Orleans. The New Orleans Jazz Club presented ...
Members of the American Dixieland band the Dukes of Dixieland. Pages in category "Dukes of Dixieland members" The following 5 pages are in this category, out of 5 total.
It was composed by Nick LaRocca and Larry Shields, and first recorded as "At the Jass Band Ball" by the Original Dixieland Jazz Band on September 3, 1917, in New York and released as an Aeolian Vocalion single, A1205. The instrumental was rerecorded on March 19, 1918, and was released as a Victor 78 single, Victor 18457, Matrix #B-21583/1, with ...
The Dukes of Dixieland: The Phenomenal Dukes of Dixieland - You Have To Hear It To Believe It! Vol. 2 [11] 1958: Dinah Washington: Dinah Sings Bessie Smith: 1959: Johnny Hartman: And I Thought About You [12] 1959: Joni James: Joni Sings Sweet: 1959: Sonny Stitt: The Hard Swing [1] 1960: Tony Bennett: Alone Together: 1961: Judy Garland: Judy at ...
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band") fostered ...
The Dukes of Dixieland offered a Dixieland jazz arrangement in 1958 on the Audio Fidelity label. [18] In 1959, the song was interpreted in a spoof arrangement for orchestra by Spike Jones. [19] In 1960, the song was reinterpreted by Mitch Miller and his Sing-Along Chorus in a jazz vocal version on the Golden Record label. [20]
There he played with Louis Cottrell, Jr., the Dukes of Dixieland, and the Onward Brass Band (1968). In 1969 he appeared at the New Orleans Jazz Festival. As a member of the Preservation Hall Jazz Band, he traveled widely in the United States and overseas. [1] He played in European festivals with his own groups in the 1970s and 1980s.