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Tmesis – separating the parts of a compound word by a different word (or words) to create emphasis or other similar effects. Topos – a line or specific type of argument. Toulmin model – a method of diagramming arguments created by Stephen Toulmin that identifies such components as backing, claim, data, qualifier, rebuttal, and warrant.
Synesthesia: description of one kind of sense impression by using words that normally describe another. Tautology: superfluous repetition of the same sense in different words Example: The children gathered in a round circle; Zeugma: use of a single verb to describe two or more actions. Zoomorphism: applying animal characteristics to humans or gods.
many figurative senses derived from baseball, e.g. off one's base (crazy), to get to first base (esp. in neg. constr., to get a first important result); more recently (slang), a metaphor for one of three different stages in making out (q.v.) – see baseball metaphors for sex; more s.v. home run
Repetition is the simple repeating of a word, within a short space of words (including in a poem), with no particular placement of the words to secure emphasis.It is a multilinguistic written or spoken device, frequently used in English and several other languages, such as Hindi and Chinese, and so rarely termed a figure of speech.
The idea of cultural emphasis is rooted form the work of Franz Boas, who is considered to be one of the founders of American Anthropology. [2] Franz Boas developed and taught concepts such as cultural relativism and the "cultural unconscious", which allowed anthropologists who studied under him, like Edward Sapir and Ruth Benedict, to further study and develop ideas on language and culture.
In rhetoric, epizeuxis, also known as palilogia, is the repetition of a word or phrase in immediate succession, typically within the same sentence, for vehemence or emphasis. [1] [2] A closely related rhetorical device is diacope, which involves word repetition that is broken up by a single intervening word, or a small number of intervening ...
The word order of "his hand dropt he" is not the customary word order in English, even in the archaic English that Coleridge seeks to imitate. Also, excessive use of the device if the emphasis is unnecessary or even unintended, especially for the sake of rhyme or metre, is usually [ citation needed ] considered a flaw, such as the clumsy ...
The word appears to derive from Old Provençal into Old French biais, "sideways, askance, against the grain". Whence comes French biais, "a slant, a slope, an oblique". [3] It seems to have entered English via the game of bowls, where it referred to balls made with a greater weight on one side. Which expanded to the figurative use, "a one-sided ...