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Letters formed by sharp, straight, angular lines, unlike the typically round Carolingian; as a result, there is a high degree of "breaking", i.e. lines that do not necessarily connect with each other, especially in curved letters. Ascenders (in letters such as b , d , h ) are vertical and often end in sharp finials.
Modern LaTeX implementations (XeTeX, LuaTeX) can utilize a Fraktur font the usual way using the fontspec package. For traditional implementations (pdfTeX and older), the \mathfrak{ } command defined in the amssymb, amsfonts or eufrak package is available. This command does not use Unicode to typeset letters in fraktur: it has its own method. [16]
Cloister Black (1904), a blackletter design not connected to Benton's Cloister roman font. Usually credited to Joseph W. Phinney, but many authorities give full credit to Benton. It is an adaptation of Priory Text, an 1870s version of William Caslon’s Caslon Text of 1734. Lower-case letters are identical with Phinney's earlier Flemish Black ...
These included "Ziptop Cooper Black" from Photo Lettering Inc., a version with the top bolder than the bottom, and other distorted variants. [18] Many digitisations of Cooper Black exist from companies including Bitstream, Adobe and others. [11] Soap, designed by Ray Larabie of Typodermic, is a uni-case variant. [19]
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
During this time, type design made a similar transition from physical matrixes to hand drawn letters on vellum or mylar and then the precise cutting of "rubyliths". Rubylith was a common material in the printing trade, in which a red transparent film, very soft and pliable, was bonded to a supporting clear acetate.