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The Radiohead songwriter, Thom Yorke, performed an early version of "High and Dry" with another band, Headless Chickens, while attending the University of Exeter in the late 1980s. [4] He said the lyrics were about "some loony girl I was going out with", but became "mixed up with ideas about success and failure". [5]
The acoustic version of "Fake Plastic Trees" was used in the 1995 film Clueless and is credited for introducing Radiohead to a larger American audience. [18] In 2017, Pitchfork credited "Fake Plastic Trees" and another Bends song, "High and Dry", for influencing the "airbrushed" post-Britpop of Coldplay and Travis. [19]
Radiohead debuted "Cut a Hole" on the King of Limbs tour in 2012. [81] The song builds gradually to a climax, with "menacing" lyrics about a "long-distance connection". [ 81 ] NME described it as "an atmospheric, shifting gloomathon" with a "head-flung-back vocal from Thom, climaxing with some of his highest notes since OK Computer ".
The singer, Thom Yorke, wrote "No Surprises" while Radiohead were on tour with R.E.M. in 1995. It features glockenspiel and a "childlike" sound inspired by the 1966 Beach Boys album Pet Sounds. Yorke described it as a "fucked-up nursery rhyme", with a gentle mood and harsh lyrics conveying dissatisfaction with social or political order.
The lasting influence of Radiohead’s daring leap into ambience, electronica, krautrock and jazz is tangible in the alternative experimentalism of the past 10 years or so – in Black Country ...
The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993). Work began at RAK Studios, London, in February 1994. Tensions were high, with pressure from Parlophone to match sales of Radiohead's debut single, "Creep", and progress was slow.
The lyrics were inspired by the stress felt by the singer, Thom Yorke, while promoting Radiohead's album OK Computer (1997). Yorke wrote "Everything in Its Right Place" on piano. Radiohead worked on it in a conventional band arrangement before transferring it to synthesiser, and described it as a breakthrough in the album recording.
Radiohead wrote it in response to the request from their record label, EMI, to record a single to repeat the success of "Creep". [11] The caustic lyrics use an iron lung as a metaphor for the way "Creep" had both sustained and constrained them: "This is our new song / Just like the last one / A total waste of time / My iron lung". [12]