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Honoré de Marseille is a 1956 French comedy musical film by Maurice Régamey and starring Fernandel. Plot. The story begins in 600 BC with the landing in a calque ...
A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:Liste de films tournés à Marseille]]; see its history for attribution. You may also add the template {{Translated|fr|Liste de films tournés à Marseille}} to the talk page. For more guidance, see Wikipedia:Translation.
Honoré de Marseille: Maurice Régamey: Fernandel: Comedy, Musical [3] The Hunchback of Notre Dame: Jean Delanoy: Anthony Quinn, Gina Lollobrigida: Drama / Horror: If All the Guys in the World: Christian-Jaque: André Valmy, Jean Gaven, Marc Cassot, Georges Poujouly, Doudou Babet: Adventure: If Paris Were Told to Us: Sacha Guitry: Françoise ...
Marius is a 1931 French romantic drama film directed by Alexander Korda and starring Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, and Alida Rouffe.Based on the 1929 play of the same name by Marcel Pagnol, it is the first part of the Marseille Trilogy, which also includes the films Fanny (1932) and César (1936).
César is a 1936 French romantic drama film written and directed by Marcel Pagnol and starring Raimu, Pierre Fresnay, Fernand Charpin, Orane Demazis, and André Fouché.It is the final film in Pagnol's Marseille Trilogy, which began with Marius (1931) and continued with Fanny (1932).
After Honoré’s … His third Palme d’Or-nominated film premiering May 21, “Marcello Mio,” is a comic change of pace that may be his most commercial and entertaining project to date.
Fanny is a 1932 French romantic drama film directed by Marc Allégret and starring Raimu, Pierre Fresnay, Orane Demazis, Fernand Charpin, and Alida Rouffe.Based on the 1931 play of the same name by Marcel Pagnol, it is the second part of the Marseille Trilogy, which began with Marius (1931) and concluded with César (1936).
C'est Noël was one of the four songs that Fernandel sings in the film, but the scene was cut in the editing. So it appears only in the record released the same year with the other three songs of the film (Tout ça c'est Marseille, Quel plaisir ! Quel travail ! and Oh ! Honoré) all orchestrated by Paul Bonneau. [2]