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The shifting of chords is especially simple for the regular tunings that repeat their open strings, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, [3] and chords can be moved two strings up (or down) in augmented-fourths tuning. Regular tunings thus appeal to new guitarists ...
Sixty guitar chords for all-fourths tuning: An introductory tutorial about chords on a guitar tuned to all fourths (PDF) Zhille's guitar blog: Perfect fourths (P4) tuning–Basics and examples; Lessons and articles on fourths tuning using Eb-Ab-Db-Gb-B-E Archived 19 April 2015 at the Wayback Machine
String gauge refers to the thickness and diameter of a guitar string, which influences the overall sound and pitch of the guitar depending on the guitar string used. [17] Some alternative tunings are difficult or even impossible to achieve with conventional guitars due to the sets of guitar strings, which have gauges optimized for standard tuning.
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.
By repeating open-string notes and by having uniform intervals between strings, major-thirds tuning simplifies learning by beginners. These features also facilitate advanced guitarists' improvisation , [ 2 ] [ 3 ] precisely the aim of jazz guitarist Ralph Patt when he began popularizing major-thirds tuning between 1963 and 1964.
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
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A simpler motion is required to play notes on non-adjacent strings. With a pick, string skipping is required. It is possible to play chords with no arpeggiation, ie. exactly at the same time. There is less need to use the fretting hand to damp notes in chords (muting) since the guitarist can pluck only the required strings.