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The film initiated so many advances in American cinema that it was rendered obsolete within a few years. [9] Though 1913 was a global landmark for filmmaking, 1917 was primarily an American one; the era of "classical Hollywood cinema" is distinguished by a narrative and visual style which began to dominate the film medium in America by 1917. [10]
The 1920s was also the decade of the "Picture Palaces": large urban theaters that could seat 1–2,000 guests at a time, with full orchestral accompaniment and very decorative design (often a mix of Italian, Spanish, and Baroque styles). These picture palaces were often owned by the film studios and used to premier and first-run their major films.
European societies of the 1920s embraced an ethic of change and a willingness to look to the future by experimenting with bold new ideas and artistic styles. The first Expressionist films, which lacked a generous budget, used set designs with wildly non-realistic, geometrically absurd angles, along with designs painted on walls and floors to ...
French impressionist cinema (also known as first avant-garde or narrative avant-garde) refers to a group of French films and filmmakers of the 1920s. Film scholars have had much difficulty in defining this movement or for that matter deciding whether it should be considered a movement at all.
Wallenstein (film) The War of the Oxen (1920 film) Watch on the Rhine (1926 film) Waterloo (1929 film) What the Stones Tell; When Knighthood Was in Flower (1922 film) With Buffalo Bill on the U. P. Trail; With Davy Crockett at the Fall of the Alamo; With Kit Carson Over the Great Divide; The Women House of Brescia
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Film style categorizes films based on the techniques used in the making of the film, such as cinematography or lighting. Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action
Surrealist cinema is a modernist approach to film theory, criticism, and production, with origins in Paris in the 1920s. The Surrealist movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality.