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Manuscript paper (sometimes staff paper in U.S. English, or just music paper) is paper preprinted with staves ready for musical notation. [1] A manuscript is made up of lines and spaces, and these lines and space have their names depending on the staves (bass or treble). Manuscript paper is also available for drum notation and guitar tabulature ...
Single-staff rastrum Musical staff. A rastrum (pl. rastra) or raster is a five-pointed writing implement used in music manuscripts to draw parallel staff lines when drawn horizontally across a blank piece of sheet music. The word "raster" is derived from the Latin for "rake".
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This music manuscript was written by Johann Sebastian Bach and contains the Gavotte from his French Suite No. 5 (BWV 816). Music manuscripts are handwritten sources of music. Generally speaking, they can be written on paper or parchment. If the manuscript contains the composer's handwriting it is called an autograph.
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
The grand staff. When music on two staves is joined by a brace, or is intended to be played at once by a single performer (usually a keyboard instrument or harp), a grand staff (American English) or great stave (British English) is created. [dubious – discuss] Typically, the upper staff uses a treble clef and the lower staff has a bass clef.
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Similar to book printing, music printing began in the fifteenth century with the use of movable type. The central problem posed to early music engravers using moveable type was the proper integration of notes, staves, and text. Often, staff lines were hand drawn prior to printing, or added to the printed music afterward.