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Cross-stringing (sometimes called overstringing) is a method of arranging piano strings inside the case of a piano so that the strings are placed in a vertically overlapping slanted arrangement, with two heights of bridges on the soundboard instead of just one.
It involves replacing one finger which is depressing a string or key with another finger to facilitate the performance of a passage or create a desired tone or sound. The simplest type of finger substitution is when a finger replaces another finger during a rest; the more difficult type is to replace one finger with another while a note is ...
prepared piano, i.e. introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials
prepared piano, i.e., introducing foreign objects into the workings of the piano to change the sound quality; string piano, i.e., striking, plucking, or bowing the strings directly, or any other direct manipulation of the strings; resonance effects (whistling, singing or talking into the piano)
On a guitar, for example, the same pitch can be played on a heavier, over-wound string, rather than a plain single-wire string (solid wire string). The note played on the heavier string will sound significantly different from one played on a single wire string, so playing the same pitch on differently made strings in short succession can ...
In the years immediately following the First World War, Henry Cowell composed a number of piano pieces featuring tone clusters and direct manipulation of the piano's strings. One of these, titled The Banshee (1925), features sliding and shrieking sounds suggesting the terrifying cry of the banshee from Irish folklore. [45]
In the acoustic piano, harpsichord, and clavichord, the vibrating element is a metal wire or string; in many non-digital electric pianos, it is a tapered metal tine (Rhodes piano) or reed (Wurlitzer electric piano) with one end clamped and the other free to vibrate.
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.