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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
In that case, it can mean either accent the note in question by holding it to its full length (or longer, with slight rubato), or play the note slightly louder. In other words, the tenuto mark may alter the length of a note at the same time a dynamic mark adjusts its volume. Either way, the tenuto marking indicates that a note should receive ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Western music has a set of traditional articulations that were standardized in the 19th century [3] and remain widely used. [1] Composers are not limited to these, however, and may invent new articulations as a piece requires. [4] When writing electronic and computer music, composers can design articulations from the ground up. [5]
The marcato is essentially a louder and often shorter version of the regular accent > (an open horizontal wedge). Like the regular accent, however, the marcato is often interpreted to suggest a sharp attack tapering to the original dynamic, [ 4 ] an interpretation which applies only to instruments capable of altering the dynamic level of a ...
Accents may be written into a score or part by a composer, or added by the performer as part of their interpretation of a musical piece. Compared to surrounding notes: A dynamic accent or stress accent is an emphasis using louder sound or stronger sound; typically, most pronounced on the attack of the sound.
The fish, “one of the smallest vertebrates,” produces the sound at 140 decibels up to the distance of its body size, researchers said. Fish are generally considered to be quiet animals, Britz ...
The same music could be associated with a wide range of emotional responses in the listener. Chabanon rejected the rhetorical approach to music, because he did not believe that there was a simple correspondence between musical characteristics and emotional affects. Much subsequent philosophy of music depended on Chabanon's views. [9]