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The Conversion on the Way to Damascus (Conversione di San Paolo) is a work by Caravaggio, painted in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. Across the chapel is a second Caravaggio depicting the Crucifixion of Saint Peter. On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
Damascus was given to Janbirdi al-Ghazali, a Mamluk who had submitted to Selim I. When Selim I died in 1520, al-Ghazali revolted and took the citadel. He marched upon Aleppo to expand his realm, but had to retreat and was eventually defeated and killed in the vicinity of Damascus in 1521. Damascus again changed hands, to the Ottomans. [36]
The Citadel of Damascus is located in the northwest corner of the Old City. The Damascus Straight Street (referred to in the conversion of St. Paul in Acts 9:11), also known as the Via Recta, was the decumanus (east–west main street) of Roman Damascus, and extended for over 1,500 m (4,900 ft). Today, it consists of the street of Bab Sharqi ...
Potters often chose patterns suited to the shape of the vessel they were making. [27] Thus an unglazed earthenware water flask [e] from Aleppo in the shape of a vertical circle (with handles and neck above) is decorated with a ring of moulded braiding around an Arabic inscription with a small 8-petalled flower at the centre. [36]
Damascus is home to many Mosques, each drawing from various periods of its history such as the Umayyad Caliphate (of which Damascus was the seat), Abbasid Caliphate, Fatimids, Ayyubids, Mamluks, Ottoman Empire and finally the modern Syrian Arab Republic. Umayyad Mosque is the Largest in Damascus
There are two modes to arabesque art. The first mode recalls the principles that govern the order of the world. These principles include the bare basics of what makes objects structurally sound and, by extension, beautiful (i.e. the angle and the fixed/static shapes that it creates—esp. the truss). In the first mode, each repeating geometric ...
Iraq was relatively slow to adopt photography as an industry and art form, due to the religious and social prohibitions on making figurative images. The first camera entered Iraq as late as 1895 when an Iraqi photographer, Abdul-Karim Tabouni, from Basra, returned to Iraq following a trip to India where he had studied the art of photography.
Apollodorus of Damascus (Ancient Greek: Ἀπολλόδωρος ὁ Δαμασκηνός) [1] was an architect and engineer from Roman Syria, who flourished during the 2nd century AD. [ 2 ] [ 3 ] [ 4 ] As an engineer he authored several technical treatises, and his massive architectural output gained him immense popularity during his time. [ 5 ]