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Ragtime is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. It is based on the 1975 novel of the same name by E.L. Doctorow .
He was part of the ragtime community that met at Tom Turpin's Rosebud bar with Joe Jordan and others. Sam Patterson, a musician and life-long friend of Chauvin, later described him as, [1] About five feet five and never over 145 pounds. He looked delicate with his fine features and his long, tapering fingers, but he was wild and strong.
Joplin composes ragtime music. One day his "Maple Leaf Rag" is heard by John Stark, a publisher of sheet music in Sedalia, Missouri and later St. Louis, Missouri. Stark is impressed, buys the rights to the composition and sells it, with Joplin sharing some of the profits. Joplin's new songs also achieve a great popularity.
"Cake Walk in the Sky" was published by M. Witmark & Sons in New York in 1899. On the cover to the sheet music, "Cake Walk in the Sky" is described as a "March A La Ragtime" and as "A Rag-Time Nightmare". In January 1896 Harney moved to New York City, where he appeared regularly at Tony Pastor's Music Hall. That same year Harney was referred to ...
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...
Julius Lenzberg (January 3, 1878 to April 24, 1956) was an American composer of ragtime and jazz of German descent. He recorded a substantial number of jazz pieces with orchestra between 1919 and 1922, in addition to ragtime music such as his popular Hungarian Rag of 1913.
The collection of more than 1,400 arrangements of rags, marches, waltzes and other music that popular around 1900 was listed on an online sales site. River Raisin Ragtime Revue acquires collection ...
While the word ragtime was first known to be used in 1896, the term probably originates in the dance events hosted by plantation slaves known as “rags”. [4] The first recorded use of the term ragtime was by vaudeville musician Ben Harney who in 1896 used it to describe the piano music he played (which he had extracted from banjo and fiddle players).