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Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. 10 BD
Masses, Passions, Oratorios is the subject of the second series of the Neue Bach-Ausgabe (NBA, New Bach Edition), [1] a publication of Johann Sebastian Bach's music from 1954 to 2007. In the Bach-Werke-Verzeichnis (BWV, catalogue of Bach's compositions) masses, passions and oratorios refers to two chapters:
Johann Sebastian Bach [n 1] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period.He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg ...
New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume.
Meanwhile, he had continued to add pieces to his harpsichord music manuscript, including compositions by Bach (part of BWV 914), Friedrich Wilhelm Zachow, Telemann, Johann Kuhnau and others. One of the last pieces he entered, likely around the time when moving to Bitterfeld (1735–1736), was a Suite by Petzold containing, together with eight ...
The beginning of the BWV 546 Prelude, in the hand of Johann Peter Kellner. Prelude and Fugue in C minor, BWV 546 is a piece of organ music written by Johann Sebastian Bach, with the prelude dating around his time in Leipzig (1723–1750), and the fugue dating around his time in Weimar (1708–1717). [1]
Richard D. P. Jones notes in his book The Creative Development of Johann Sebastian Bach that "technical novelties" also suggest that the cantata was composed in 1716, according to a recent study. [12] In 1723, his first year as Thomaskantor in Leipzig, Bach composed a new cantata for the 16th Sunday after Trinity, Christus, der ist mein Leben ...