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The sanshin (三線, lit., "three strings") is an Okinawan and Amami Islands musical instrument and precursor of the mainland Japanese shamisen . Often likened to a banjo, it consists of a snakeskin-covered body, neck and three strings.
The instrument that defines Okinawan music is the sanshin (shamisen). It is a three-stringed lute, very similar to the Chinese sanxian and a precursor to the Japanese shamisen. The body is covered in snake skin and it is plucked with a plectrum worn on the index finger.
Shamisen are classified according to size and genre. There are three basic sizes: hosozao, chuzao and futozao. Examples of shamisen genres include nagauta, jiuta, min'yo, kouta, hauta, shinnai, tokiwazu, kiyomoto, gidayu and tsugaru. Shamisen used for traditional genres of Japanese music, such as jiuta, kouta, and nagauta, adhere to very strict ...
' three strings ') – an Okinawan precursor of the mainland Japanese (and Amami Islands) shamisen; Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater.
Okinawan folk music is often accompanied by the sanshin, whereas in mainland Japan the shamisen accompanies instead. Other Okinawan instruments include the sanba (which produce a clicking sound similar to that of castanets), taiko and a sharp finger whistle called yubi-bue (指笛). A pentatonic scale is often used in min'yō from the main ...
The following is a list of basic components that normally make up a kankara sanshin, with Japanese phrases that refer to the English terms in sanshin and shamisen parlance: Body (胴, chiiga/dou) — An empty metal can or cylinder is used to create the body of the instrument, in lieu of the snakeskin-covered bodies typical of sanshin.
A traditional folk dance from the Yaeyama Islands of Okinawa, performed during festivals and celebrations. Features dynamic movements and distinctive local musical accompaniment. Angura Underground (アングラ) theater movement that emerged in Japan in the 1960s as an experimental and avant-garde form of theater.
From the Chinese traditional instrument sanxian in the 16th century developed the Okinawan instrument sanshin from which the kankara sanshin and the Japanese shamisen derive. [158] Women frequently wore indigo tattoos known as hajichi on the backs of their hands, a sign of adulthood and talisman to protect them from evil.