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Richard Wagner's Bayreuth Festival Theatre.. A wide range of movements existed in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert and Sullivan's plays and operas ...
19th; 20th; 21st; 22nd; 23rd; 24th; ... Pages in category "19th-century operas" This category contains only the following page. This list may not reflect recent ...
The Salle Le Peletier, home of the Paris Opera during the middle of the 19th century. French opera is both the art of opera in France and opera in the French language.It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen.
Pages in category "Operas set in the 19th century" The following 60 pages are in this category, out of 60 total. This list may not reflect recent changes. A.
Interior of La Fenice opera house in Venice in 1837. Venice was, along with Florence and Rome, one of the cradles of Italian opera. Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until ...
They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour. This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes.
Camille Lemonnier in the Artist's Studio; The Capture of the Hessians at Trenton, December 26, 1776; ... Category: 19th-century paintings. 39 languages ...
The painting displays a bourgeois woman at the opera house looking through her opera glasses, while a man in the background looks at her. [2] The woman's costume and fan make clear her upper class status. [2] Art historians see the painting as commentary on the role of gender, looking, and power in the social spaces of the nineteenth century.