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It was smaller, more brightly lit, with an emphasis on the quality of the materials used in their construction, instead of their size. By the 1800s, most new fireplaces were made up of two parts, the surround and the insert. The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite.
The general appearance of a fireplace surround should typically stand out from the rest of the room, becoming a focal point of the design, while enhancing the surrounding aesthetic. For this ...
The Rumford fireplace created a sensation in London when he introduced the idea of restricting the chimney opening to increase the updraft. [5] He and his workers changed fireplaces by inserting bricks into the hearth to make the side walls angled, and they added a choke to the chimney to create a circulation of air inside the chimney.
There are two standard sizes of fire brick: 9 in × 4 + 1 ⁄ 2 in × 3 in (229 mm × 114 mm × 76 mm) and 9 in × 4 + 1 ⁄ 2 in × 2 + 1 ⁄ 2 in (229 mm × 114 mm × 64 mm). [2] Also available are firebrick "splits" which are half the thickness and are often used to line wood stoves and fireplace inserts.
The Adam mantels are in wood enriched with ornament, cast in molds, sometimes copied from the carved wood decoration of old times. [1] Mantels or fireplace mantels can be the focus of custom interior decoration. A mantel traditionally offers a unique opportunity for the architect/designer to create a personal statement unique to the room they ...
A brick chimney breast. A chimney breast is a portion of a chimney which projects forward from a wall to accommodate a fireplace. [1] Typically on the ground floor of a structure, the masonry extends upwards, containing a flue which carries smoke out of the building through a chimney stack. [2]