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Many of the film's political themes were trimmed or removed completely. It was this version of the original Godzilla film that introduced audiences worldwide to the character and franchise and the only version to which critics and scholars had access until 2004 when the 1954 film was released in select theaters in North America.
Godzilla, King of the Monsters! (Japanese: 怪獣王ゴジラ, Hepburn: Kaijū Ō Gojira) [8] is a 1956 kaiju film directed by Terry O. Morse and Ishirō Honda, with special effects by Eiji Tsuburaya. It is a heavily re-edited American localization, or "Americanization", of the 1954 Japanese film Godzilla. [9]
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.
For 1950s teenagers, 'Godzilla' was scary fun. For Japanese audiences, the film — which turns 70 this November 3 — was much darker
To get more of Godzilla, check out the new movie, which has raked it in at the box office, making $200 million in the U.S. and more than $307 million internationally. Even after six decades there ...
Poster for Godzilla (1954), widely considered the first kaiju film. Kaiju (Japanese: 怪獣 （ かいじゅう ）, Hepburn: kaijū, lit. ' strange beast '; Japanese pronunciation: [ka̠iʑɨː]) is a Japanese term that is commonly associated with media involving giant monsters.